Sin categoría

…OR THEATER WHERE THERE IS NO THEATER In the world of theatre and performance we talk a lot about the aesthetical dimensions of pieces, and the issues and feelings they raise, but much less [...]

…OR FORUM THEATER AS A POLITICAL QUESTION THAT SEEKS EMANCIPATORY SOLUTIONS The Forum Project (TFP) is a New York City-based organization working through critical pedagogy, Theatre of the [...]

…OR INTERGENERATIONAL PROJECTS IN AMSTERDAM In 2010 two young theatre directors, Jaïr Stranders and Bo Tarenskeen, initiated Theater Na de Dam, a theatre manifestation in the context of May [...]

…OR LUCINDA’S INTERNSHIP AT THE CROSS BORDER During this year 2013-14 we have had the pleasure of having with us Lucinda Spearman, a student form University of Cambridge who has done an [...]

…OR NEARLY 10 YEARS OF THEATER IN ECUATORIAL GUINEA Speaking of Recaredo Silebo Boturu is to speak of Bocamandja; talking about Bocamandja is to talk of theatre; which is to discuss a whole [...]

… OR YOUNGSTERS AT HIP HOP RYTHM AND THEATER OF THE OPPRESSED In 2011, as a member of The Peace Poets, I worked with a non-profit organization in Oakland, California called Better [...]

… OR THE “UN CERRITO DE CUENTOS” GRANT Michael was a typical kid from a working-class neighbourhood in Guayaquil: dark-skinned, small, skinny, with eyes like a pechiche (a black fruit with [...]

 … OR WHY A YOUNG PEOPLE’S THEATER FESTIVAL? Once again, theatre invites us to cross borders. Once again, I am discovering what defines the theatre that so many of us believe in: the thirst [...]

… OR BORDER BITES We settled on the name of our company, Cross Border Project, in New York. It was easy to break down boundaries there. Everything was cross-border: from my Colombian [...]